Chapter 1
p.191

1

Will Self, “Cut! That’s All, Folks,” The Times (London), August 28, 2010, 2. Our emphasis.

2

On the forms of attraction in cinema, see André Gaudreault, Film and Attraction: From Kinematography to Cinema, trans. Timothy Barnard (2011 [2008]).

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See also the work of Tom Gunning of the University of Chicago and the collective volume edited by Wanda Strauven, The Cinema of Attractions Reloaded (Amsterdam: Amsterdam University Press, 2006).

3

Self, “Cut! That’s All, Folks,” 2.

4

Jacques Aumont, Que reste-t-il du cinéma? (2012), 55.

5

Self, “Cut! That’s All, Folks,” 2.

6

Susan Sontag, “The Decay of Cinema,” New York Times, February 25, 1996.

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The article is also accessible at the following address: https://www.nytimes.com/books/00/03/12/specials/sontag-cinema.html

7

Paolo Cherchi Usai, The Death of Cinema: History, Cultural Memory, and the Digital Dark Age (2001).

8

Maxime Scheinfeigel, ed., Cinergon 15 (2003).

9

Maxime Scheinfeigel, “Les lauriers du cinéma,” Cinergon 15 (2003): 41.

10

François Amy de la Bretèque, “Cinergon no. 15: ‘Où va le cinéma?,’” Cahiers de la cinémathèque 76 (July 2004): 122.

11

We will explain our use of the term digitalize at the end of this chapter.

12

David Norman Rodowick, “La vie virtuelle du film,” Cinergon 15 (2003): 17–35.

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The book by this same author published in 2007 reuses (in English) the title of this article, which was by all indications one of the earliest sketches of the future book.

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