Gaudreault, Film and Attraction, 56n. 32. Note that the English translator of Morin’s book (The Cinema, or the Imaginary Man, trans. Lorraine Mortimer [2005 (1956)]) has chosen to use the terms Cinematograph, cinematography, and cinematographic, thereby risking confusion with quite different contemporary meanings, in the latter two cases, and with the Lumière Cinématographe alone in the other. By choosing to use kinematograph, we and our translator believe we have sidestepped these problems by using a widespread period term in English no longer in general use to suggest a more general phenomenon.