Chapter 3
p.203

10

D. N. Rodowick, The Virtual Life of Film (2007), 170.

11

Ibid.

12

Ibid., 166.

13

Ibid., 169.

14

Roland Barthes, Camera Lucida: Reflections on Photography, trans. Richard Howard (1981 [1980]), 85.

15

Rodowick, The Virtual Life of Film, 167.

16

“Simulation refers to various computer methods for modeling other aspects of reality beyond visual appearance.” Lev Manovich, The Language of New Media (2001), 17.

Find out more

This book is published on the official site of Lev Manovich and is accessible at the following address: http://manovich.net/content/04-projects/112-language-of-new-media/language.pdf.

17

Jacques Aumont, Que reste-t-il du cinéma? (2012), 53.

18

Jean-Philippe Tessé, “La révolution numérique est terminée,” Cahiers du Cinéma 672 (November 2011): 8.

19

This quotation can be found online.

Find out more

The article from which this quotation is taken is accessible at the following address: http://www.toulouseblog.fr/actualite-19231-hobbit-dans-salles-toulousaines-48images-seconde.html.

20

Michael Oliveira, “The Hobbit: Richard Armitage fasciné par le nouveau format 3D,” La Presse (Montreal), December 4, 2012.

Find out more

The article is accessible at the following address: http://www.lapresse.ca/cinema/nouvelles/201212/04/01-4600634-the-hobbit-richard-armitage-fascine-par-le-nouveau-format-3d.php.

21

Even though, we should recall, 3D technology is nothing new. We need only think of the 1950s, when there was an unsuccessful attempt to have 3D take over the market in the battle against television.

22

“As a rule, media comfort can be identified with the illusion of immediacy.” Daniel Bougnoux, Sciences de l’information et de la communication (1993), 531.

23

This quotation can be found online.

Find out more

The article from which this quotation is taken is accessible at the following address: www.lemonde.fr/culture/article/2012/12/11/le-high-frame-rate-un-format-inattendu_1804629_3246.html.

24

Philippe Berry, “The Hobbit: Le nouveau format vidéo gâche-t-il la magie du film?”; article posted on the site 20minutes.fr on December 10, 2012.

Find out more

The article is accessible at the following address: www.20minutes.fr/high-tech/1058213-the-hobbit-nouveau-format-video-gache-t-il-magie-film.

25

A comment found in the Huffington Post and quoted in Philippe Berry, “The Hobbit.”

26

Berry, “The Hobbit.”

27

Philippe Marion, “Scénario de bande dessinée: La différence par le média,” Études littéraires 26, no. 2 (December 1993): 84.

Find out more

The article is accessible on-line: http://www.erudit.org/revue/etudlitt/1993/v26/n2/501047ar.pdf.

28

In the album Voyage à Tulum sur un projet de Federico Fellini pour un film en devenir by Milo Manara (1993).

29

Federico Fellini, “Federico Fellini sage comme la lune,” Le Soir, 1 August 1990, 3.

Find out more

The article is accessible at the following address: http://archives.lesoir.be/le-bebe-de-fellini-et-manara-est-une-bd-federico-fellin_t-19900801-Z02YG3.html.

30

See Marion, Traces en cases, 287.

31

E. H. Gombrich, “Mediations on a Hobby Horse or the Roots of Artistic Form” (1951), in Art Theory and Criticism: An Anthology of Formalist, Avant-Garde, Contextualist and Post-Modernist Thought, ed. Sally Everett (1995), 45.

32

Rodolphe Töpffer, Réflexions et menus propos d’un peintre genevois, ou Essai sur le beau dans les arts (1998 [1848]), 259.

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