The End of Cinema – A Medium in Crisis in the Digital Age

Jacques Aumont, Que reste-t-il du cinéma? (2012), 84. Emphasis is the original.

See in particular André Gaudreault and Philippe Marion, “Cinéma et généalogie des médias,” Médiamorphoses 16 (April 2006): 24–30.

Christian Metz, Language and Cinema, trans. Donna Jean Umiker-Sebeok (1974 [1971]), 26.

Francesco Casetti, “Theory, Post-theory, Neo-theories: Changes in Discourses, Changes in Objects,” Cinémas 17, nos. 2–3 (Fall 2007): 37. Our emphasis.

Ibid.

Ibid., 36.

André Gaudreault and Philippe Marion, “En guise d’ouverture sur la problématique cinéma/bande dessinée,” in Cinema e fumetto/Cinema and comics, ed. Leonardo Quaresima, Laura Ester Stangalli, and Federico Zecca (2009), 23–29. See also Philippe Marion, “Emprise graphique et jeu de l’oie: Fragments d’une poétique de la bande dessinée,” in La bande dessinée: une médiaculture, ed. Éric Maigret and Matteo Stefanelli (2012), 175–99.

Described initially by André Gaudreault and Philippe Gauthier in their presentation at the 2010 DOMITOR conference in Toronto. See André Gaudreault and Philippe Gauthier, “Les séries culturelles de la conférence-avec-projection et de la projection-avec-boniment: Continuités et ruptures,” in Beyond the Screen: Institutions, Networks and Publics of Early Cinema, ed. Marta Braun et al. (2012), 233–38.